LIUQIN

AboutTechniquesSpectra

The liuqin (柳琴pinyinliǔqín, pronounced [li̯òʊ̯tɕʰǐn]) is a four-stringed Chinese mandolin with a pear-shaped body. It is small in size, almost a miniature copy of another Chinese plucked musical instrument, the pipa. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the liuqin from an accompaniment instrument in folk Chinese opera,like liuqin opera and sizhou opera in northernJiangsu, southern Shandong and Anhui, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan and yueqin experience.

Historically, the liuqin was commonly made of willow wood, while the professionals used versions constructed with a higher-quality red sandalwood or rosewood. In contemporary versions, however, the front board is made of tong wood (桐木) and for the reverse side, of red sandalwood, as comparable to historical types.

Notes: Liuqin “Liu Yeqin” (柳叶琴)(liǔ yè qín)- it was popular in Subei, Lunan. It used to have two strings, but now it has four. It has 24 or 29 品 (pǐn)raised frets; usually used in the orchestra. Liuqin uses a pick to play; the right hand uses treble clef. Open strings are G, D, G, D. In solo, it can also uses any pitches to be the open strings (it is up to the player).

Low range – full
medium – clear, bright, the best range
high range – bright, a little intense “shrill”
very high range – small volume, slim “thin”

Left hand techniques

Same as pipa.

Right hand techniques

Missing:

滚 (gǔn) – continue tantiao with one note, tremolo
扫撇 (sǎo piě) – use pick to play all four strings from left to right and return (repeat)

Coming Soon